After a brief foray into the wider world with the last post, it's back to some writerly navel gazing. Oh yes.
The comedy competition I entered is about to kick off... It's on over a series of nights - mine still hasn't been scheduled. But just reading the synopses of the first four is getting me fired up in a mix of apprehension and, well, more apprehension. Frankly, it's terrifying that some people are going to get up on stage and say something I've written and god only knows if anyone will laugh. It could be absolutely awful on every level.
Good job I'm also trying to redraft my play like a mad person. That's keeping my mind off things.
Done something slightly radical and changed the name of my main character. She started off as 'woman' (I know, I know, but it makes it easier to write if you don't have a name when you're starting). But I needed people to call her by her name, and so I had to find one. And so I settled upon Jane, as a name that's relatively free of baggage. I wanted a nothing-y name, that didn't instantly and obviously betray age or class or any of that business. (No, I don't think class is dead, btw, but that's a topic for another day).
But something strange happened once I started writing for Jane. She become a bit limp and passive. Not all kick-arse and angry how she started off.
So I've called her Claire. And Claire is quite different. Pricklier. I have released my inner prickliness to write this, which is not very difficult at all as it turns out.
So it's all going on.
3 comments:
I'm not sure if I should but I feel honoured!
I'm not for a second suggesting that all Claires are prickly.
But it does seem to be more kick-ass than Jane. (Don't know any Janes, so feel I can safely say this!)
Names are opportunities for colour. Even someone as pared down as Becket calls his characters by extravagant names like Estragon and Vladimir. Have fun with them, I say.
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