So I'm writing some stuff again, which is Good News.
To get started again, I had to give up on some stuff. Namely, this sort-of play I wrote that was aimless and directionless and storyless. Trouble was, I fell in love with some of my clever lines, and forgot to get on with the business of story and dramatic tension and all that stuff. Ahem.
(Yes, rubbish I know, but it was my first attempt at this sort-a thing).
So, there we are.
I do have some other things on the go:
I have a couple of episodes of a sitcom - which, as I've blogged about before, made it through to the finals of the Sitcom Trials no less. Not that I'm boasting. Oh no, hang on, I am boasting. Sorry about that. Anyway, that's kind of in limbo, so I should do something with it but not entirely sure what.
(I normally Know What To Do with these things, and am quite driven and ambitious and get-ahead, but I'm not with this, and I think it's because I loved writing it so much I can't quite bring myself to ruin it with misplaced attempts at Trying To Make It. It's complicated.)
I have a new project, which is something I've been thinking about for a while. It's a play, it's set in an office, it's based on a true event, and it's just starting to emerge. (It's a good sign when the characters turn up, properly turn up that is, and start being arsey and not quite how you first thought. Mind you, I'm all of 5 pages in, so there is some considerable distance left to run.)
And I have an idea for another comedy, if I feel like venturing into the competitive world of the Sitcom Trials again next year. All my comedy ideas are a bit high concept. I'm not sure if this is a good thing or not. I should probably try and write about two people on a sofa and keep it simple, but no, that's not where it all leads me.
Oh, and I have the not inconsiderable demands of a day job too, so this is all going on in my so-called spare time.
So now you know.
1 comment:
High concept is good.
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